At Whitehall Palace in
1632, the ladies at the court of Charles I are beginning to look
suspiciously alike. Plump cheeks, dilated pupils, and a heightened sense
of pleasure are the first signs that they have been drinking a potent
new beauty tonic, Viper Wine, distilled and discreetly dispensed by the
physician Lancelot Choice.
Famed beauty Venetia Stanley is so
extravagantly dazzling she has inspired Ben Jonson to poetry and Van
Dyck to painting, provoking adoration and emulation from the masses. But
now she is married and her “mid-climacteric” approaches, all that
adoration has curdled to scrutiny, and she fears her powers are waning.
Her devoted husband, Sir Kenelm Digby – alchemist, explorer,
philosopher, courtier, and time-traveller – believes he has the means to
cure wounds from a distance, but he so loves his wife that he will not
make her a beauty tonic, convinced she has no need of it.
This book astounded me.
It wasn’t so much the storyline, which was interesting enough in its own right,
but the manner in which the author told it. She has an incredible way of
expressing herself, in an almost cinematographic way. She uses small jumps of
view point which enhance our understanding of the story as well as increasing
the tension in a particular scene.
One of the things I loved
most about this novel was the mixture of the modern along with the period
details. The flashes of the future which Kenelm receives are intricately woven
into the storyline in a way that do not distract but instead enhance the
narrative. Apart from the obvious extensive research the author has done to put
us right in the middle of this time period, there is a wonder to her words that
bring it all to life.
This is one of my
favorite books of the year and an author I will definitely watch with much
interest.