“No one says that
unresolved trauma can kill you. If anyone did, maybe people would take it more
seriously. Serious as cancer."
PTSD is an insidious disease, one that
crawls into every crevice of the sufferer’s body and mind, spreading its fear
and darkness even to the happiest of moments, and this is what McClelland’s new
memoir Irritable Hearts: A PTSD Love
Story captures so well.
As a journalist, Mac McClelland has
traveled to the most war torn regions of the world, but nothing could have
prepared her for Port-au-Prince, Haiti, in 2010 after the earthquake that left
more than three million people homeless. She arrives in Haiti to find people
living in tents made out of tarps and wooden poles that threaten to collapse in
a mudslide with every rainfall. It is not destitution or hunger or sickness
that has the population living in fear, however: it is rape. Violence against
women, specifically rape, has always been higher in Haiti than in most other
countries in the world, with an average of 50 women raped a day, according to
one of the sources McClelland interviewed during her time in the country. After
the earthquake, this number hiked up exponentially, with men cutting through
the makeshift tents and stealing women right from their refugee homes. They
were raped for food, for shelter, for anything that they required, and many did
not survive the experience. In a city facing such destruction, the police was
inefficient at best, and at worst, corrupt. Even Haitian doctors turned their
backs on these assaulted women, blaming them for the violence or shrugging it
off as part of life.
It is while setting out to interview
sources for her story that McClelland sees “it.” We do not know what “it” is,
since she does not gives a description. All we know is that she witnesses
something related to rape happening in a vehicle and a group of men. This image
along with its accompanying scream, is what latches on to her like a tick,
drawing all vitality and equanimity from her.
No matter how many times we read about
PTSD, there is a classic image in our heads about what suffering from this
debilitating disorder means. A soldier just returned from war with anger
issues, depression, and hallucinations. The reasons we have this notion about
what the disorder looks like is because the majority of cases we have heard
about are those related to soldiers. Reading about McClelland’s experience,
however, allows us to put a different face on the disease. Nothing happened to
her directly, yet she is struck down, her mind crystallizing and shattering
after witnessing trauma.
The memoir speaks to the nature of
trauma. It splits damage open to show us the underbelly of our minds and
bodies, the way we can all too easily break apart. It speaks of what it means
to be a victim versus being victimized with all its subtle but important
distinctions. It shows that there is no magic cure or special button that can
erase damage done to our minds, but instead that it is a steep struggle to sure
footing once again. But, however, McClelland’s memoir tells us that it is
possible to do.
Since her own mind was so disjointed at
the time of her PTSD, it is no surprise that the memoir has its rough patches.
There are some head-cockingly strange transitions that could require a seconds
reading, and although the book calls itself a love story, this aspect of it is
its weakest. We do not get a strong foundation of the relationship between Nico
and Mac, so it is difficult to understand the strength of that relationship or
what it means to the author as the narrative progresses.
Ultimately, Mac McClelland presents a
fearlessly raw look at what PTSD is. She is honest about every aspect of the
disorder, from its inception and all the way down the long road to recovery. Acute
narration and powerful insights into what it means to be helpless make this
memoir one to read.
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